“Why that crazy old lady goes up the mountain”, Michael Libling Its hard to sum this story up in just a few words. There’s a lot going on: A high school romance, the grave of God, family illnesses, an amoral hick sheriff, suicide, smart-alecky narration, gun battles … Even if the dramatic elements get lost amidst the entertainment, somehow the mishmash all works, coming together to make a good read.
Archive for the fantasy Category
“Dragon’s teeth”, Alex Irvine This is Lieberian high fantasy, with a strong but amoral protagonist and a bit of ironic wit. The King’s Guardsman Paulus is sent on a mission to slay a dragon for the queen. He does his duty, but he is also looking out for himself along the way. The story is littered with references to Paulus’ earlier adventures, giving the story a somewhat incomplete feel when read on its own. Despite that, it holds together well, and the story is one of the highlights of this issue.
“Bad matter”, Alexandra Duncan A university linguist, Dr. Saraih Hertz, investigates a mystery left behind by her late father, a famed anthropologist. He’s left behind another heir among the merchant spaceship crewes. The story is interesting and well-developed, but it felt like there’s too much going on here, lots of ideas thrown in the air but not developed, or at least not explained. Much is made of the protagonist wearing the hijab, and being uncomfortable with less modest dress in the crewes, but there’s no explanation of how a Dr. Hertz came to live in such a modest culture. Footnotes emphasize Saraih’s academic outlook, but don’t add much to the story. The crewes speak a highly modified language, but there’s not even a passing evaluation from the linguist protagonist on the connection of this dialect to English or other languages, and there wasn’t really enough length to the story for me to get the hang of it. A fine story, but a little bit busy.
“Farewell Atlantis”, Terry Bisson This story starts out with a disconcerting, disconnected statement, “I remember exactly when it all started, this incredible adventure. It was during The Look of Love, when she wakes up after the operation…”, and two people meeting in a movie theater. It’s a good mesh with the mental state of those two people, who turn out to be watching weeks of continuous movies as reorientation after thousands of years of suspended animation. The story goes on in a somewhat disassociated tone, eventually revealing the what and why of the characters’ past, or at least their conjectures about it. Quite good, even if it requires a bit of mental drift to get the hang of.
“Hell of a fix”, Matthew Hughes I could imagine this infernal comedy (as its been called on the F&SF forum) coming from the pen of one of the genre’s wittier 1940’s greats, maybe Kornbluth or Boucher, and the “deal with the devil” set-up has been a staple of the genre since at least that time. The idea that labor relations in Hell might echo those on earth also seems to make this a story out of time. One thing that distinguishes Hughes’ story from a piece from the 40’s is that it’s about twice as long as it likely would have been back then. But none of that makes the story unenjoyable. Hughes has great wit, and the story is fun all the way through.
“Illusions of Tranquility”, Brendan DuBois Eva is a worker on a struggling moon colony, one that needs to do whatever it can to obtain extra cash from Earth. Eva’s role is to fleece wealthy tourists by selling them “unique” bits of moon history; if that fails, she must sell her body. The colony is also trying to maintain the illusion of prosperity to give its donors confidence, so tourists and colonists are strictly segregated into regions with vastly different economic rules. The story didn’t work well for me. First, DuBois fails to convey the brutality (or hard-edged reality) behind the deception of the tourist zone. Worse, the shock line that ends the story, meant to carry earnest weight, comes off as light-hearted, or even comedic. Takes on a significant theme, but doesn’t support it well.
“The Blight family singers”, Kit Reed A portrait of a washed-up folk-singing act, living on the drama of their backstory. But with no sympathetic character, I didn’t find much entertainment in it.
“The economy of vacuum”, Sarah Thomas Astronaut Virginia Rickles is stranded on the moon when the American government crumbles down below. An excellent melancholy story develops as she survives thirty years alone, and then is discovered by a new spacefaring nation that doesn’t have the capability for compassion needed to rescue here. Another highlight story for the issue.
“Iris”, Nancy Springer Another melancholy story, a brief exploration of new discoveries at the end of life.
“Inside time”, Tim Sullivan Herel Jablov not only designed a time machine, he joined the first mission aboard it. When the mission goes wrong, he finds himself, with only one companion, stuck on a automated “station” somehow outside (or inside?) of time. Quite good, even though I saw the trick ending coming from a few pages away.
“The man who did something about it“, Harvey Jacobs Colin Kabe is an auto mechanic, but one who normally works on cars valued in the 6 figures and above. When he’s asked to work on an out-of-this-world vehicle, he finally gets his chance to do something about it. It’s not a story that would benefit from having its secrets given away, so I’ll only say its worth the read.
“I needs must part, the policeman said”, Richard Bowes The story starts out a bit disjointed, but it does reward holding on until you get into it. If this is fiction, its an incredibly nuanced exploration of the situation of an older man dealing with a serious illness. If this is autobiographical, its a much more revealing look at an author than we normally get in genre writing. I’m not sure I could read an entire magazine of such intense stories, but to have one like this come along once in a while is breathtaking.
This is the first half of a “novel in two volumes”, so I’ll just make a few notes here and wrap it all up when I get through The Wizard, which is near the top of my reading pile.
Somehow this story takes a premise that dates at least to Mark Twain, a young boy from the American midwest transported to a magical fairy-world, and manages not to make it seem trite; at least as long as I was immersed in the story. Luckily, there’s very few jarring incidents in the story to break the spell and make me step back and think about how primitive a skeleton underlies the flesh.
One of the jarring elements, though I suspect it’s intentional, is the way the protagonist clumsily integrates himself into a new culture. Coming from middle America, he’s not prepared to bow and simper before knights or haggle with shopkeepers. Magically grown into the heroic adult body of the knight Sir Able of the High Heart, he mostly gets through this by bullying those he encounters. Those bullying incidents make it difficult to wish Able well, despite the way they’re subtly presented in his own re-telling. However I expect to see Able grow out of his bullying ways in the second volume, which would turn what starts out as an unsympathetic rendering of the protagonist into a carefully played thread of character development. (But Stephen Frug’s review implies this may not happen.)
And then, this is Gene Wolfe. If you’re looking for an unreliable narrator, you’ve got it. If you’re looking for layers and mysteries behind what is presented on the page, they’re there. If you swoon for poetic prose, well, in this case Wolfe has done an excellent job of mimicking the style of a teenaged writer without allowing clumsy construction to interfere with the story.
I’m looking forward to see how this story wraps up.